Level up!

I'm going to start this post with something I haven't really talked about in a while - language.  Last night I was working at the hotel (my "rent" job) when a gentleman walked in looking for a room.  I explained to him that we did not have any vacancies and he asked if I knew of any other places that did.  As I was talking with him he asked me to speak slowly because he did not speak English very well.  Being the naturally inquisitive person that I am, I asked him where he was from.  Then it happened; he said he was from France.  I immediately proceed without hesitation to speak to him in French while calling around to other hotels in the area looking for a room.  Our conversation ran the gamut from talking about why he was in Rochester of all places, to me giving him directions, to finally talking about my career as an opera singer and me giving him my website.  All in all we probably spent 20 minutes conversing solely in French!  Those of you familiar with Moses McCormick would call this a "level up!"  Towards the end of our conversation he gave me his card so that I could reserve a room for him at another hotel.  I noticed he had an Italian last name and he told me that he is actually Italian, but lives in France.  I proceeded to tell him that I speak Italian as well and we went on for another few minutes talking in both Italian and French.  This is the reason why we learn languages:  to communicate with people!  As a singer, I obviously learn these languages so that I know what I am singing (which is another form of communicating), but in a larger sense it events like last night to happen.  I have set aside working on my language studies for a while due to financial and personal obligations that force my hobbies to take a back burner, but things like last night really make me want to get back into my studies.  Perhaps in the next few months I can get back to it.

In other news, now that my time with Finger Lakes Opera has ended I have begun my focus on Cosi fan tutte, which I will be performing in Detroit this September.  I have learned all of the music and am in the throes of attempting to memorize an entire role for the first time.  I took some advice from my friend and colleague, Gregory Kunde, and have made cue cards of my part.  Already, this has been very helpful in getting some of the text down.  I also have an upcoming audition in Pittsburgh and some other big pending news that I will have to wait until next month to unload on everyone.    

I Love It!

Remember the old McDonald's jingle "I'm loving it?"  That is how I feel about being on stage performing.  I am currently in rehearsals for a production of Carmen with a local opera company, Finger Lakes Opera.  I am not singing a lead, or even a comprimario role; I am in the ensemble.  While that may not sound compelling, the amazing thing about it for me is how I feel during and after rehearsals, even when talking to people about how rehearsals are going.  I am so full of energy, life, and excitement, that I can barely contain myself.  This is how I know what I am supposed to be doing with my life.

We are reading and discussing The Jesuit Guide to (Almost) Everything by Rev. James Martin, S.J. in a young adult group that I facilitate at my church.  This is my second time through the book and the primary thing that has struck me both times through is that God plants your deepest desires in your heart and they are God's way of showing you what you should be doing in life.  There has rarely been much question about the desires on my heart, but it seems to have magnified in intensity over the last couple of years.  I now not only desire to be performing, but I long for it.  When I am not in production I often feel like something is missing in my life.

Part of this new excitement when performing comes from my experience last year.  Since my time with the New York Opera Studio I have continually become more comfortable in my body on stage.  This ability to open up on stage has allowed me to really explore things and let me fall into the characters I am portraying, even in an ensemble situation.  While rehearsing for Carmen, I am also preparing for my debut as Ferrando in Detroit next month in Mozart's Cosi Fan Tutte.  These months of being able to immerse myself in the world of opera have shown me how I need my life to be if I am to be truly content with my occupation.  My goal for the coming "year" is to find more ways to envelop myself in this world and make this desire a reality.

An Upcoming Performance and The Need for Acting

I'll start with the big news first.  In September I will be singing my first leading tenor role, Ferrando, in Mozart's "Cosi Fan Tutte" with the Metro Opera Workshop of Detroit.  This has been a long time in coming for me and I see it as the fruition of the work I have put in to make this transformation from a baritone to a tenor.  I also have a couple of additional auditions upcoming which will hopefully bring more happy results.  I will also be singing as a part of Finger Lakes Opera's inaugural production of Carmen this summer, which will star J'nai Bridges as Carmen and Gregory Kunde as Don Jose.  

While I am not singing a role in this production, this has proven to be a great opportunity for me in two ways.  First, I will be able to watch Mr. Kunde go through his process and pick his brain a little about my own career.  Mr. Kunde, or Greg, and I have known each other for a number of years and the first half of his career was spent singing the roles that I am hoping to sing as my career gets going.  He is therefore an invaluable source of information and advice.  Secondly, I was able to get feedback from an audition for the first time as a tenor.  Beginning with the good, I was told that my voice is developing nicely and that I am on the right track in regards to vocal technique.  Kudos to my teacher, Jean-Ronald LaFond, for his expert guidance in this regard!  I was also told that I need to work on being more aware of my body.  For those of you who don't know me, I am little over six feet tall and am not slight of frame.  I was told that I can be imposing, but the auditor was not sure that I knew how to be.  This has been a persistent problem for me and something I need to figure out how to address.  It was suggested that I take a physical acting class to try to get more in touch with my body and enable myself to use my body to interpret the words of the pieces that I am singing.

I was reading a set posts on a group page on Facebook that my teacher had added me too and they were discussing performance.  One of the singers mentioned that once she is on stage, it is all about the words and that she just has to trust that all of the preparation she has done vocally will suffice.  I have heard this many times, but in light of what I had recently been told in my audition this really hit home for me.  I have never trusted that my preparation and technique were going to be there in auditions or performances.  Therefore I also was focusing on my technique and not on the character.  I can point to a clear reason for this speed bump in my career.  My years in undergrad and immediately following were only spent focusing on vocal technique, and not the technique of performance.  I had teachers, whom I love very much and am forever grateful for the assistance they gave me to get to where I am today, who believed that the voice was all that was needed.  In a way this is an old philosophy, but even in the age that this was prevalent, it was still an incomplete one.  Singers must be complete performers.  The auditor of my audition summed it up the best saying that there are a lot of singers out there who are singing really well, what sets them apart is their ability to portray a character.

One small post-script:  If you are a singer and are looking for a summer program to do, please consider the Summer Opera Academy at Härnösands Folkhogskola in cooperation with Kashu-do Studios.  It looks to be a wonderful program and is run by my teacher, Jean-Ronald LaFond.  

The Waiting

The waiting is the hardest part.  I have done all of my auditions for the year (although I am trying to do one more in May), and now there is nothing left to do but wait for the last of them to get back to me.  It has been another year of progress, but another year of frustration as well.  It feels as though I have gone nowhere.  The next step has not yet been made.  In some respects I don't know if I know what the next step truly is.  I continue to work on my technique, characterization, languages, etc., but I am still not making that next level.  I read something today that sparked a thought in me.  It was a Lenten reflection from Fr. Robert Barron and he said this:  

"I suppose we human beings have always been in a hurry, but modern people especially seem to want what they want, when they want it.  We are driven, determined, goal-oriented, fast-moving.  I, for one, can't stand waiting.

But is it possible that we are made to wait because the track we are on is not the one God wants for us?  Maybe we're forced to wait because God wants us to seriously reconsider the course we've charted, to stop hurtling down a dangerous road."

This struck me hard today.  

I have been on this course for about a decade now, and am content to continue on this path if it is what I am truly called to do.  The waiting, though, is unbearable.  

I don't often talk about my faith on this blog, but in the last few years, months, and especially weeks, I have become more and more deeply ingrained in my faith.  I pray for my vocation as a singer daily, and I see affirmations of it often.  There are other times, like currently, where I feel as though I am in a void.  It is interesting that this Lent, my prayer life has been flashing bright neon signs at me that say "DETACHMENT;" perhaps this is what I need to do in order for my true vocation in singing to shine forth.  Detach myself from the desire.  Detach myself from the pride associated with pursuing this career.  Detach myself from the thinking that I am solely responsible for my success in this field.  

A Busy Month and Russian Begins

I just returned from a performance in Toronto on Saturday which, to me, was one of my most complete performances to date.  I didn't do everything technically perfectly, but I was able to get my voice to do what I wanted it to to portray the character I was playing.  I was doing a "New Opera" workshop with Tapestry Opera and met a lot of talented and was impressed with how relevant contemporary opera has made the art form.  The topics ranged from drug use to family relations through divorce and just about everything in between.  One of the wonderful things about doing contemporary opera in your native tongue is the immediacy of the music and text.  The entire audience seemed to relate literally to every scene.  This workshop gave me a new appreciation for contemporary opera and I look forward to delving into this repertoire more in the future.

Immediately following my time in Toronto, I went to Indianapolis for an audition and am now preparing to go back down to NYC for another audition.  I also have to make a video recording for another audition and am continuing to work on new repertoire for next season.  Upcoming, I will be performing at a benefit concert and also performing my annual recital at my church in Rochester.  This year's theme for my recital is Spirituals and Contemporary American Song, somewhat keeping in the theme from my time at Toronto.

After a month of debate and thinking I have decided to continue forward with my language learning, instead of cycling back around.  This past weekend I began my Russian studies.  I am starting with Michel Thomas, which is a great introduction into the language.  I also have started listening to some Russian talk radio using my TuneIn radio app on my phone when I am in areas that have wi-fi (work).  In March I plan to start using LingQ to get some more input and begin learning words and familiarizing myself with structure.

I decided to continue forward because I have started looking at Russian repertoire in my singing and I have found that I sing better when I understand the language I am singing in, even if it is at a basic level.  I do need to go back and bring my other languages up to their next respective level, but I feel that getting a basic working knowledge of Russian is more important than bringing my other languages to higher levels of fluency at this point.  I will keep you all updated as I move forward.

New Year, New Plans

Merry Christmas and Happy New Year!

It has been a few months since I have updated the world about my life, I apologize.  The end of 2013 marked some important changes in my singing life.  In the most recent audition season, I sent out nearly 25 applications and was granted five auditions.  I am still waiting to hear back from some of those auditions, but as of right now I have no offers on the table.  In the interest of understanding my situation and furthering my career along, I had a meeting with my voice teacher to discuss the coming year and what we can do.  The answer, primarily, has been to change my repertoire around.  Specifically he told me, "You have to start doing things that other singers struggle with."  With that statement I have officially moved into the Bel Canto repertoire.  My future repertoire finds itself sitting a lot higher, but ultimately feels fairly comfortable in my voice at this point.  I am looking forward to the next year with this repertoire and the possibilities it may bring.

Along those same lines, this year I have decided to really increase my work level towards my career.  This includes more lessons, coachings, study/practice time, and hopefully more performing.  Part of this also concerns my health.  I am about 60 pounds overweight and need to work to lower that number considerably before next season.  All of this change will involve making a new daily schedule to accommodate everything I have to do on a give day, and planning out what I need to work on when I do work.  This year is the year of "working smart."

In the language aspect of my life I have somewhat let that part of my life linger for a while.  This technically should be my year for Russian, but I am contemplating going back and trying to further either my French or German.  This is partly due to practicality and partly due to money.  We shall see where my heart ultimately leads me.  

Birthday post!

Today is my birthday!  I am entering into the final year of my 20's, yet another transition.  This month has been the start of the audition season.  I have filled out and sent in many applications and so far have sang for two companies.  I'm still waiting on eight programs to get back to me and have about nine more applications to send out.  My auditions thus far have had their ups and downs.  Ultimately I have been pleased with how they have went.  I am finding that more and more things are going right in auditions now than are going wrong.  My voice is still a work in progress (and will be forever), but I feel I can give a fairly accurate representation of my abilities when I am in the room singing.  At this point I am waiting to hear back from the companies that I sang for.  Hopefully, I will have some good news to report next month.  Prayers are always appreciated.

Language study has taken a bit of a backseat currently.  I simply do not have the time to devote to them currently.  I still speak when I get the chance, but active study is not possible right now.  Perhaps in a few months I can pick back up where I left off.

Back in the saddle again...

Well, it's that time of year again.  The next season of auditions is upon me.  I have my first audition at the end of this month and am looking forward to a new year of opportunities.  Every year I get a little bit better at this whole thing.  Last year I was well prepared, but under coached and didn't really have anything in my bag dramatically speaking.  This year I am coaching repertoire with a local guru of opera and have pretty well-formed characters in my head for nearly all of my pieces (just a couple more left).  I am as confident as ever in my vocal abilities, especially after surviving Count Almaviva this summer.  The only thing I can do now is go sing and perform my heart out.  My goal for auditions this year is to make each one a true performance, and not an audition.  I will keep everyone posted when I get work!

I am also back on the horse again with my Spanish studies.  I've been putting in good work about four days a week and am beginning to feel a little bit more comfortable when conversing with others.  I am still shooting to eclipse the number of known words that I have in French by the end of this year and I feel I am on a good pace to accomplish that.  I'm also considering a new approach to my language learning.  Instead of moving on in January, I think I might stick with Spanish until I have developed a really strong core in the language.  The definition of this, which I stole from polyglot Luca Lampariello, is knowing the language well enough that you don't have to think about conversing in the language, it just flows naturally.  Ultimately this is where I want to be with all my languages and I think it will happen quicker if I stick with one language until I get to that point.  I still haven't decided for sure, but I will obviously come to a decision before the year is over.

Summer Adventures Debriefing

Well, I'm back from my summer adventures.  Admittedly I have been back for nearly three weeks now, but I am just getting around to writing.  I had a myriad of experiences ranging from wonderful, insightful learning experiences to downright awful working conditions due to personality clashes and planning problems.  I am not going to talk about the poor experiences except to say that they were still learning experiences and ultimately I was glad I had them in the environment I was in and not in the professional world.  The positives I can elaborate a little on.

The Opera Advantage program was designed to help the entire creative process rather than focusing solely on the voice.  This is exactly what I was looking for and I knew upon seeing this program that I had to do it.  I learned so much about the craft of performing and about myself that I am sure I have already forgotten more than I have remembered.  Luckily, I have a journal and notes to refresh my memory.  Among the most important and helpful things I picked out of this program was the process for building a character and also identifying the things in my own psyche that hold me back.  The latter of these has been especially important moving forward, both for myself and for others whom I have shared this knowledge was.  The most positive aspect of my time this summer has been a reaffirmation of my love for this art and my need to do it.  During this summer I realized my vocation and that has made a huge difference in my reasoning behind everything I do.

In other singing news, I am starting a voice studio out of my home.  I am targeting high school and avocational singers, so if you know anyone in the greater Rochester area that is looking for a person to take voice lessons with send them my way!

Admittedly languages took a back seat this summer.  I have maintained my languages through my normal channels (people who I know that speak the languages I know).  So while I have not regressed, I have not progressed.  Hopefully, once the fall begins I can get back into my studies a little more.

Summer Opera Antics!

I have just returned from the first of my two summer programs.  This program was truly focused on the acting and interpretive aspect of the art form.  I found everything about this program to be wonderful.  Firstly the people involved, both staff and participants were all wonderful people.  It was nice to be in a setting where there was very little to no drama for the entirety of the program.  I have made some wonderful friends who I hope to keep in touch with and follow their careers as we move along in our lives.  Additionally I have made great professional contacts with people whom I respect and have already gleaned a lot of knowledge from.  Apart from the social aspects, I also discovered many things about myself and ways to open myself up to the audience where I feel I am truly performing and not just singing the notes on the page anymore.  One of the added bonuses to this program was that we were able to learn and explore some of the beautiful music that is the Russian repertoire.  This is such a lush area of music that is just beginning to see more light and I hope that it becomes as much of a mainstay in repertory houses as its Italian, French and German counterparts are.

My next program starts on Wednesday in Buffalo with performances on Sunday.  For this program, I will be singing Rossini's Count Almaviva with a very talented class.  I know this program will be different than the one I just finished, but I hope and pray that the people involved are equally as loving as those I have just left.  If you are interested in coming to these performances, please find me on Twitter @JPike1028 or like me on Facebook and I will post updates and dates and location of my upcoming performances!

Thank you to everyone for your continued prayers and support!

Forward motion

It has been a while since I last wrote a blog post.  I have not been necessarily too busy to write, but I have had other things going on that took importance over writing last month.  Additionally, on the language study side of the blog I ran into a rather large roadblock that took most of the last two months away from me.  More on that later, because I want to begin with the more exciting things that have been going on vocally in my life.

It always amuses me when things from two different areas of life come together.  This has been the case over the last few years of me re-training my voice.  I wen to a Christian college and a common expression on campus was "God's will, God's time."  I've always liked the phrase as it give some perspective to the fact that our plans for our life are ultimately not our own, but God's.  This has taught me much about patience in the last decade or so since I came back to my Christian faith.  Anyway, early on when I began to study with JRL he said to me that when my coordination was there, the high notes would come "very fast."  In my pride, I had assumed that since I had already been studying singing for ten years, this "very fast" meant only a couple of years at most.  As the two year marked went by, I became slightly discouraged, but remembered my college days and gave up my own timeline for that of God's.  Now, as I near in on almost four years of study with Ron, I have finally had the experience he was talking about.  In the last two months I have gone from struggling with notes just above the staff to singing comfortably (in a practice room) up to at least E-flat above high C on a daily basis, even when sick!

The key to vocal development, which so many of my peers seem to miss out on, is that it takes time and patience.  I have family members and friends who consistently inform me that I need to start a career in case this singing thing doesn't work out.  I've never given this any real thought or merit because I have known for a long time now that I am a singer and my career will be in singing.  I am not in a rush to make this career happen, because I know it will happen when I am ready for it to happen.  I have already seen this beginning this year.  A couple of weeks ago I made my professional debut with a local company, and I am of the belief that work leads to more work.  In addition, I have two auditions coming up in a few weeks which I am very optimistic about because of this new found security I have in my voice.  If nothing else, I am sure that I will be able to at least learn and sing through one or two roles this summer with the Kashu-do studio.  I am moving forward and already beginning to look forward to next season's auditions.

Now, the language side of things.  It occurs to me that Spanish is a large stumbling block for me.  It's not that the language is terribly difficult or anything like that.  It is just a demoralizing language for me because of my time spent with it in high school.  I did not have the money available at the beginning of this year to go buy the materials I usually use for language learning.  So, due to this and the fact that I have a pretty solid foundation in Spanish, I have decided to only use LingQ for my Spanish learning.  It has been a very slow process, but I am beginning now to really focus more.  I picked up French in about eight months and I am hoping to be able to do something similar with Spanish.  I would like to get my known words level in Spanish higher than in French, as this was not something I accomplished with German.  We shall see what happens.

2012 in Review, and a Look Ahead!

I have decided this year to go down to one post per month here.  This way, my posts should be of a little more substance.  This post is going to be my year in review post, with a brief update on this year, as well.

This past year has been one of great growth vocally.  I have become completely comfortable in the tenor tessitura, although the high notes do still give me some trouble in performance, due to nerves.  I have built a reliable Ab and A natural in the last year, and I am working currently on solidifying my Bb and working towards the B natural.  Every day I feel things becoming more and more comfortable and I am beginning to identify with my tenor voice.  The fruits of this year have represented themselves through my first contracted role, a comprimario role which I will be singing in March with Rochester Lyric Opera.

This summer I will be moving out of the Rochester area in search of more opportunities for both me and my wife.  In preparation for this move, I will be planning and performing a recital in the late spring or early summer.  I have not yet decided what the repertoire will be, but I am leaning towards a mixed program of predominantly French and German repertoire, with some Italian thrown in to pay tribute to the area of Rochester I live in, which is practically all Italian.

My year of German was ultimately a success, too.  I did not get to the level that I was hoping to in the language, but I do feel comfortable in basic day-to-day conversation and feel that I would be able to get around the country were I to go there tomorrow.

This was my first language I had studied without any prior knowledge, and I feel that my method worked very well.  I have found that it is difficult for me to keep up my studies as consistently as is necessary to really achieve fluency in a year.  This is in part due to my schedule and the fact that most of my studying was happening while I was at work between the hours of three and five in the morning.  A number of times, it was too difficult to stay awake while studying at this time of day, and this ultimately led me to days and weeks where I would not study.  I also found that I do not need to invest in the products I was investing in to learn a language.  I am convinced that I can achieve my desired level in a language simply by using LingQ and speaking with anyone I come across who happens to speak my target language.  This combination of input and output simultaneously has been extremely useful to me and I believe this is how I will approach the rest of my language studies.

This year, my mission is to reactivate and improve my Spanish language skills.  I studied Spanish for three years in high school and was fairly comfortable speaking with my friend from the Dominican my first years of college.  I have since not really used the language much.  While my Spanish is still passable because of my Italian and English, I would like to become more comfortable in the language so that I may use it to my advantage in the day job market.

My goal for this year is to learn 8,000 words of Spanish on LingQ and reach a high-intermediate level in the language.  In following the 1.6 ratio I have discussed before, this would translate to about 5,000 word families known.  In order to give a better idea of this level, the average native English speaker knows approximately 17,000 word families; so this will get me about a third of the way to native fluency, and should make me very comfortable in the language, assuming I speak as much as I should with friends and at meetups, etc.

This is going to be a very challenging year for me, but I look forward to it.  I anticipate a lot of growth this year, both in my language abilities and in my singing and performing.

A New Phase

I have entered a new phase of my vocal journey this month.  I was lucky enough to be able to have two lessons this month as compared to my usual one every other month.  During the course of these two lessons, JRL and I worked on a new aspect of singing technique.  For the past three years, we have focused mostly on developing the chest voice component of my voice.  This was lacking from my singing previously and took some time to develop.  Now, we are working on finding the "thin edge" of the voice.  This is proving to be very challenging for me, though I am finding success and a certain ease in my singing that was not as present before. 

In the past five years or so, I had noticed that I was losing my vocal agility and I could not figure out why.  I found this very frustrating, because I used to pride myself on the ease with which I could handle coloratura passages.  After a couple of weeks of working to find the "thin edge," I sang through "Ev'ry Valley" from Handel's Messiah today with relative ease and at a passable tempo.  The runs felt both clean and under control, not to mention the top notes were easier than they have ever been.  My challenge now lies in this weekend. 

I have two auditions this weekend and these are some of my last auditions of this season.  At this point I have not been terribly pleased with my performances in audition situations this year.  I have been becoming more and more comfortable with each audition and I know that this is a process.  Singing tenor is still new to me, especially in front of people, and the more that I do it the easier it becomes.  I am hoping that some fruit will come from these auditions this weekend. 

My primary goal is to sing well and seek the "thin edge" throughout my two auditions.  My secondary goal is to be offered a position through these auditions.  I am at a difficult point currently in that I am nearing an age where I need to either find work singing, or pursue a secondary plan that is more sustainable than my current day job.  This will inevitably lead to me pursuing a graduate degree if I have to go down this path.  Following a path towards a graduate degree does not necessarily hurt my chances of singing professionally, in fact, it would probably help me a great deal.  The issue I have is that I would rather just get out there and sing rather than go through another two years of academic work.  Prayers are greatly appreciated that my auditions this weekend and throughout this audition season lead to an offer to sing somewhere this summer and begin my career.

German is still coming along at a consistent pace.  I have fallen into a pretty good groove as of late, though I am a little slow on my goal of 4,700 known words by the end of the year.  As we come into December I will need to increase my workload so to reach this level.  4,700 may seem like a random number to want to achieve, however there is a method to this number.  There is a study out of Australia (I believe) that found that in English the amount of words known divided by 1.6 equated to the number of word families known, which is a better measure of fluency than simply words known.  It is generally accepted that one can be quite proficient in a language once they know 3,000 words.  The Australian study points out that this is really 3,000 word families, not words.  Therefore, per the equation, I need to know 4,700 words to know 3,000 word families in English.  While I do not know the specific equation for other languages, I have found this same equation works pretty well for other languages.  If I can reach this number by year's end I will be at a solid intermediate level in the language and be able to have relatively comfortable conversations on a wide variety of topics.

The Busy Season is Arriving

Now that the tumult of my Schicchi preparation has died down I am back to the normal grind.  I am now looking towards audition season, my first as a tenor.  Currently my first audition looks as though it is going to be in late October.  I am both excited and nervous about this first year of auditions.  I do not feel that I am completely ready vocally to be putting myself out there yet, but I am trusting in the guidance of JRL.  He thinks I am ready, and experience tells me that outside ears know my actual level better than I do.  I still have approximately two months until my first audition with which I hope to really solidify some pesky spots both in my voice and in my repertoire.  For those with inquiring minds, my planned audition repertoire this year is as follows:

De' miei bollenti spiriti from La Traviata by Verdi

Firenze com'é un albero fiorito from Gianni Schicchi by Puccini

Dies Bildnis ist bezaubernd schön from Die Zauberflöte by Mozart

Ah! fuyez, douce image from Manon by Massenett

It's about the way people is made from Susannah by Floyd

The next two months entail a lot of work for me, specifically with Rinuccio and Des Grieux.  I really need to make sure that I have all of the Bb4's in those two pieces solid.  In addition to musical preparations, I am also about to begin working with an acting coach to help build my, admittedly undertrained acting skills.  I am hoping that these things will aid me in getting into a program my first year out and give me some tangible validation that I can bring back for all of my long time doubters in my home area.

My German studies have been a little hit or miss as of late.  Erring mostly on the side of miss.  I have done a better job of picking up the work this week and have begun to do more listening and attempting to speak and write a little bit more in German.  This week I joined a meetup group for German in Rochester.  I am going to go to my first meetup this Sunday with the goal of speaking in German the entire time I am there.

In other news I am getting married in the beginning of October which ultimately means my langauge studies will probably take another hit then.  Hopefully, I can find away to keep plugging away and achieve my goal of having a larger vocabulary in German than I do in French.  At this point my French vocabulary is about 56% larger than my German vocabulary.