I have been rather lax in updating this since my burn-out with Arabic about a month ago. I am currently back to working on French. I have foregone Italian for the time being because my level in that language is rather comfortable at this point. Also, I need to bring my French and German level up because I am planning on applying to grad schools in the next year or so. For French, I am using Assimil and French in Action at this point as my only learning sources, with the exception of Ernest, my friend from Cameroon. I have seen my French skyrocket in the last month or so I have been working on it. I am able to understnad and have basic day-to-day conversations with Ernest without many hiccups and am finding that I can express myself pretty well. I have somewhat changed my plan (again) and am going to stick with French until I am "completely" fluent. I will define what I mean by this at a later date. I anticipate that this will take me at least until the fall, if not until the new year. After that, I will focus on German until it reaches a similar level, and then I will come back to Italian to bring it up to the other two.
On the vocal front, I have a lesson in the City this coming Tuesday and I am excited to see what is next. I had a moment of frustration, understanding and excitement all within about 15 minutes of each other today while practicing. First I was frustrated because I feel like my range is not increasing to include the "tenor notes" at all. Truthfully I know that I am progressing and that the path is long and slow, but every once in a while I get annoyed. Second, I realized today that I have to warm up my voice all the way to its top (F above high C) and then bring it back down through the passaggio in order for the voice to find its place where it needs to be so that I can sing. Finally after accomplishing this I sang through Di pescatore ignobile from Lucrezia Borgia and nailed a high Bb at the end that felt comfortable and somewhat released! If I was a..."lesser" person I would have just given up after the initial struggles, however I continued to work through and past them and was rewarded with a major victory for my vocal progress. Hopefully I can ride this momentum into my lesson on Tuesday!
A chronicle of my journey on the way to fluency in ten languages and on the way to becoming a tenor.
Friday, April 8, 2011
Monday, March 14, 2011
It Is the Process That Is Important
I have halted my Arabic studies for the time being. I burned myself out right around the 60 day mark. Even though I am burned out on Arabic, I am still very excited to get back to Italian, and I may even start working on Italian again earlier than I had prescribed.
Vocally things are going very well. Singing above the staff gets easier and easier as the weeks go by.
Methodology Minute
In all skill areas there are generally different methods which are touted by different people, all claiming that theirs is the best and/or only way to learn. These beliefs can, and often do, lead to arguments or at the very least heated discussions. I am going to fly in the face of these people today and say that at the beginning of one's study, any method will work. Until a person reaches a level where they need to begin to refine their skill the act of doing something will achieve results. If we are discussing this in terms of language study, there are hundreds of books, CDs and software programs available targeted at beginners. Any of these will give the learner an insight into the language of choice and any one will get them to at least an upper beginner level of use in the language.
At the beginning of studies, the most important thing is exposure to the language. Once the learner has a strong grasp of the basics of the language, then they can begin to direct their studies toward their particular weaknesses. A person does not know what their weaknesses are until they can at least use the language somewhat. Personally, I have used different resources to begin my studies on every language I have worked on. What I have come away with is that as long as I have something to look through and study I have progressed to a similar point in every single language. So my advice is to find inexpensive resources at first for your language studies, once you understand what your weaknesses are, then you can begin to delve into the wealth of strategies that abound for language acquisition.
This also can be applied to other skill areas as well. In most skills, the basics are the same across the board so learn the basics the least expensive way possible. Then it will be possible for you to refine your skills with the best resources available later on.
Vocally things are going very well. Singing above the staff gets easier and easier as the weeks go by.
Methodology Minute
In all skill areas there are generally different methods which are touted by different people, all claiming that theirs is the best and/or only way to learn. These beliefs can, and often do, lead to arguments or at the very least heated discussions. I am going to fly in the face of these people today and say that at the beginning of one's study, any method will work. Until a person reaches a level where they need to begin to refine their skill the act of doing something will achieve results. If we are discussing this in terms of language study, there are hundreds of books, CDs and software programs available targeted at beginners. Any of these will give the learner an insight into the language of choice and any one will get them to at least an upper beginner level of use in the language.
At the beginning of studies, the most important thing is exposure to the language. Once the learner has a strong grasp of the basics of the language, then they can begin to direct their studies toward their particular weaknesses. A person does not know what their weaknesses are until they can at least use the language somewhat. Personally, I have used different resources to begin my studies on every language I have worked on. What I have come away with is that as long as I have something to look through and study I have progressed to a similar point in every single language. So my advice is to find inexpensive resources at first for your language studies, once you understand what your weaknesses are, then you can begin to delve into the wealth of strategies that abound for language acquisition.
This also can be applied to other skill areas as well. In most skills, the basics are the same across the board so learn the basics the least expensive way possible. Then it will be possible for you to refine your skills with the best resources available later on.
Saturday, March 5, 2011
العربية -- أسبوع ٩
I decided to take the week off from most of my active studying. I still did some listening and my Anki, but otherwise I was feeling a little burnt out so I took a break.
Vocally progress is still steady.
Methodology Minute - The Importance of Rest
I wrote on this in an earlier post, but I believe that in most skill acquisition rest is an important part of the process. The most typical application of this concept is can be found in weight training. The body does not actually build muscle during the lifting itself, but during the rest period in between sessions. I believe that the same thing occurs during all fields of learning. In voice training, the muscles of the voice need time to rebuild stronger from the exercises performed. In exercises of the mind, it is good to give the brain some time to process what it has learned.
I have found that after periods of rest, I come back to my studies or vocal training stronger and with a renewed energy. There is a limit I believe to the amount of rest that can be taken before it becomes to much and has a detrimental effect. Sometimes, coming back from a prolonged rest I find things to be more difficult. However, in physical training about 2-4 days rest seems to be optimal. Mental rest, on the other hand, is dependent on the person. I think that while one make take a rest from learning new things, I still think that some small review during the session of rest is beneficial to not totally allow the brain to shut down.
Saturday, February 26, 2011
العربي - الأسنوع ٨
I have made some good progress this week. The most notable accomplishment of the week has been my average study time. For a number of weeks I have been averaging just a little less than one hour a day of studying. This week I finally got back over the one hour average. I am learning quite a bit, however I have not seen results manifest themselves in my spoken language. I attribute this mostly to a lack of opportunities to speak with people in Arabic. The few natives I do know are surprised when I speak to them in Arabic, however they do not respond back in Arabic. I am hoping that I can wear them down and eventually they will engage me.
Vocally, I am still just working away. This week has not been one of major discoveries or majors steps, however consistency and ease are coming in more and more every week.
I have found that I have a new transition that I need to keep myself accountable for: my health. I have decided to chronicle this here; my plan will not consist of any fad diets or workouts. It will simply consist of adjusting to a healthier diet and exercising regularly. I will also be exercising three times a week. These workouts will be both cardio and weight training. Given my current physical ailments (a very bad knee, possibly a meniscus tear) I will be gradually working up to running for a full hour. I will record my numbers here every week beginning with this week as my starting weight. While I will be following a MWF exercising week, my weeks for the purposes of this blog will still go from Saturday to Friday.
Current Weight: 237.4 lb.
Goal Weight: 185 lb.
Methodology Minute: The Importance of Passion
When I was in high school I was a saxophonist. I was actually the second best saxophonist in my city area, according to audition-competitions for various ensembles. I actually initially went to college to study music education with an emphasis in saxophone. However, when I went to college I was at the bottom of the barrel and had little to no hope of pulling out from that spot. I ended up transferring out of my first school just a few weeks prior to receiving my letter telling me I was not able to return due to my academic standing. Fast forward a few years and I am now a voice major. I began my second college try, this time as a music performance major with an emphasis in voice. Admittedly, I was not a very good singer for the majority of my time in college. There are audio clips that support this, however I am not going to post those here today. However, within a couple of years of graduation, I was being told that I was one of the singers who seem to understand the techniques being taught the best, and that I should be auditioning ASAP.
So why was it that I flunked out of my saxophone program and have thrived in my vocal life? Was it that I was a more talented singer than I was a saxophonist? No, in fact I would say that if anything the opposite was the case. Most people I know have considerably more innate talent than I do in the field of singing. The true reason that I have succeeded in my current field as compared to my former can be explained in one word: passion.
When I was in high school the Dean of Admissions at Eastman School of Music gave a speech to my workshop about passion. The general gist of his speech has stuck with me ever since. He said that the key to being happy in your adult life is to do those things which you are passionate about. The most important thing said during this speech was: "If your profession ever becomes work, quit!"
This outlines quite specifically what happened to me at my first college; saxophone became work. I had to literally drag myself to the practice room to practice, in fact most times I simply did not practice at all. However, vocally I feel frustrated when I cannot go practice! Even now, seven years into my singing life I relish singing and all things having to do with singing. I research music and composers, listen to and discover new singers, read books on vocal pedagogy, learn languages, read books on acting, etc. Essentially, there is not a thing about singing and the singing profession that I do not absolutely love. Music is an integral part of my day and is present almost the entire day. This is usually to the frustration of those who have to be around me. Here is an example to show you what I mean:
I was in Italy for a singing three week singing workshop and was walking through the town of Spoleto with some friends one evening. As per usual, I was humming or singing quietly to myself while I was walking since no one was talking to me. Abruptly, one of the people in the group turn around to me and said "You never stop, do you?" in an annoyed tone. I simply answered "No." and continued on my way. However the real question I wanted to ask was "You do?" I just assumed that this want and urge to sing always was common among singers of a certain level. I apparently was wrong.
I have often told people that when I decided to follow this path I said that I was going to be the best. This does not mean the best that I can be, but the absolute best. I still hold onto this sentiment, but it is not out of arrogance. It is confidence in myself, my work ethic and my passion. There are generally only a small percentage of activities that people are truly passionate about. For me these things number three: my faith, my voice and languages. If a person can focus more on their passions and less on the pursuit of money then they will ultimately find the money anyways. The people who succeed are the ones who are passionate about what they do. Those who fail are the ones who simply ride talent or go for the profession that is going to make them the most money. My urge to you, reader, is to take the time to figure out what you are passionate about, and then pursue that haphazardly and unabashedly. If you do this I can guarantee you success in whatever you are called to do.
Vocally, I am still just working away. This week has not been one of major discoveries or majors steps, however consistency and ease are coming in more and more every week.
I have found that I have a new transition that I need to keep myself accountable for: my health. I have decided to chronicle this here; my plan will not consist of any fad diets or workouts. It will simply consist of adjusting to a healthier diet and exercising regularly. I will also be exercising three times a week. These workouts will be both cardio and weight training. Given my current physical ailments (a very bad knee, possibly a meniscus tear) I will be gradually working up to running for a full hour. I will record my numbers here every week beginning with this week as my starting weight. While I will be following a MWF exercising week, my weeks for the purposes of this blog will still go from Saturday to Friday.
Current Weight: 237.4 lb.
Goal Weight: 185 lb.
Methodology Minute: The Importance of Passion
When I was in high school I was a saxophonist. I was actually the second best saxophonist in my city area, according to audition-competitions for various ensembles. I actually initially went to college to study music education with an emphasis in saxophone. However, when I went to college I was at the bottom of the barrel and had little to no hope of pulling out from that spot. I ended up transferring out of my first school just a few weeks prior to receiving my letter telling me I was not able to return due to my academic standing. Fast forward a few years and I am now a voice major. I began my second college try, this time as a music performance major with an emphasis in voice. Admittedly, I was not a very good singer for the majority of my time in college. There are audio clips that support this, however I am not going to post those here today. However, within a couple of years of graduation, I was being told that I was one of the singers who seem to understand the techniques being taught the best, and that I should be auditioning ASAP.
So why was it that I flunked out of my saxophone program and have thrived in my vocal life? Was it that I was a more talented singer than I was a saxophonist? No, in fact I would say that if anything the opposite was the case. Most people I know have considerably more innate talent than I do in the field of singing. The true reason that I have succeeded in my current field as compared to my former can be explained in one word: passion.
When I was in high school the Dean of Admissions at Eastman School of Music gave a speech to my workshop about passion. The general gist of his speech has stuck with me ever since. He said that the key to being happy in your adult life is to do those things which you are passionate about. The most important thing said during this speech was: "If your profession ever becomes work, quit!"
This outlines quite specifically what happened to me at my first college; saxophone became work. I had to literally drag myself to the practice room to practice, in fact most times I simply did not practice at all. However, vocally I feel frustrated when I cannot go practice! Even now, seven years into my singing life I relish singing and all things having to do with singing. I research music and composers, listen to and discover new singers, read books on vocal pedagogy, learn languages, read books on acting, etc. Essentially, there is not a thing about singing and the singing profession that I do not absolutely love. Music is an integral part of my day and is present almost the entire day. This is usually to the frustration of those who have to be around me. Here is an example to show you what I mean:
I was in Italy for a singing three week singing workshop and was walking through the town of Spoleto with some friends one evening. As per usual, I was humming or singing quietly to myself while I was walking since no one was talking to me. Abruptly, one of the people in the group turn around to me and said "You never stop, do you?" in an annoyed tone. I simply answered "No." and continued on my way. However the real question I wanted to ask was "You do?" I just assumed that this want and urge to sing always was common among singers of a certain level. I apparently was wrong.
I have often told people that when I decided to follow this path I said that I was going to be the best. This does not mean the best that I can be, but the absolute best. I still hold onto this sentiment, but it is not out of arrogance. It is confidence in myself, my work ethic and my passion. There are generally only a small percentage of activities that people are truly passionate about. For me these things number three: my faith, my voice and languages. If a person can focus more on their passions and less on the pursuit of money then they will ultimately find the money anyways. The people who succeed are the ones who are passionate about what they do. Those who fail are the ones who simply ride talent or go for the profession that is going to make them the most money. My urge to you, reader, is to take the time to figure out what you are passionate about, and then pursue that haphazardly and unabashedly. If you do this I can guarantee you success in whatever you are called to do.
Friday, February 18, 2011
العربية الأسبوع ٧
This week I have continued my FLR work and am pleased with what has come of it. I do not know how much I am necessarily retaining of my reading, I think that aspect of the work manifests itself most during my writing exercises at the end of the week. I do know however, that my listening and vocabulary seem to be becoming strong as the time progresses. With both, I add one unit's worth of exercises per week. While this leads to a smaller vocabulary, I find that the words I do add implant themselves better in my brain with the time allowed to focus specifically on them.
I have decided to focus on small things vocally. By this, I mean that I am taking single exercises and continually doing them until I achieve a desired result and then moving on. Sometimes this only takes a couple of repetitions, other times it takes 5 or 10 minutes worth of work. The benefits of this however are noticeable even the next day. For example, since my lesson three weeks ago I have been working with the [ð] occlusive in my exercise regimen. I perform a 5-note scale beginning with [ð] and moving to [i] ascending to the fifth and then descending back to the root. I tend to struggle with not cracking, or slipping, at around A above middle C. So, I will continue to do this scale starting on the D above middle, refining and honing in on the correct sound and sensation, until the note no longer slips. Upon achieving this I move up by half-steps until about C5, the tenor's high C. I am currently relatively consistent in this exercise on the A now and have moved on to B-flat and B as my main focus.
I have also noticed the importance of rest in the voice building process. On average I vocalize about five days a week. During this time I make progress daily, however my largest progress always comes after those couple of days of rest. I think that this fact proves that training a voice is a muscular activity. When training any muscle, the growth does not come during the exercise itself, but during the rest period when the muscles can rebuild and adapt to the new standards being required of them. This is why and good exercise program should require rest periods. Even in running and other cardiovascular activities, at least one day of rest is prescribed. As the weeks go by, I continue to grow towards my ultimate goal of being the best singer possible. Knowing that this process is a muscular one enables me to find satisfaction in the gradualness, but consistency of growth.
Methodology Minute - Trust Your Intuition
In most areas of intelligence, our intuition leads to more results than anything else. Unfortunately, most of us do not trust our intuition, especially in areas that we do not consider ourselves experts. A quick example: When I speak to my friends in either French or Italian I generally come to a point where I want to say something, but do not necessarily know for certain what the correct word is. During these times, I occasionally have words pop into my head from seemingly out of nowhere. If I am comfortable with the people I am speaking with, I will tentatively try out the word in my head, usually with a positive affirmation of my offering. I always check my thoughts after the fact if I am by myself practicing, but the percentage of time that I am correct is far greater than the times I am wrong.
If we have done enough work in a subject area (in languages this equates to input and building a passive vocabulary) eventually and inevitably this passive knowledge will become active when the opportunity presents itself. My encouragement this week is to trust that little voice in your head. Often it will be correct.
I have decided to focus on small things vocally. By this, I mean that I am taking single exercises and continually doing them until I achieve a desired result and then moving on. Sometimes this only takes a couple of repetitions, other times it takes 5 or 10 minutes worth of work. The benefits of this however are noticeable even the next day. For example, since my lesson three weeks ago I have been working with the [ð] occlusive in my exercise regimen. I perform a 5-note scale beginning with [ð] and moving to [i] ascending to the fifth and then descending back to the root. I tend to struggle with not cracking, or slipping, at around A above middle C. So, I will continue to do this scale starting on the D above middle, refining and honing in on the correct sound and sensation, until the note no longer slips. Upon achieving this I move up by half-steps until about C5, the tenor's high C. I am currently relatively consistent in this exercise on the A now and have moved on to B-flat and B as my main focus.
I have also noticed the importance of rest in the voice building process. On average I vocalize about five days a week. During this time I make progress daily, however my largest progress always comes after those couple of days of rest. I think that this fact proves that training a voice is a muscular activity. When training any muscle, the growth does not come during the exercise itself, but during the rest period when the muscles can rebuild and adapt to the new standards being required of them. This is why and good exercise program should require rest periods. Even in running and other cardiovascular activities, at least one day of rest is prescribed. As the weeks go by, I continue to grow towards my ultimate goal of being the best singer possible. Knowing that this process is a muscular one enables me to find satisfaction in the gradualness, but consistency of growth.
Methodology Minute - Trust Your Intuition
In most areas of intelligence, our intuition leads to more results than anything else. Unfortunately, most of us do not trust our intuition, especially in areas that we do not consider ourselves experts. A quick example: When I speak to my friends in either French or Italian I generally come to a point where I want to say something, but do not necessarily know for certain what the correct word is. During these times, I occasionally have words pop into my head from seemingly out of nowhere. If I am comfortable with the people I am speaking with, I will tentatively try out the word in my head, usually with a positive affirmation of my offering. I always check my thoughts after the fact if I am by myself practicing, but the percentage of time that I am correct is far greater than the times I am wrong.
If we have done enough work in a subject area (in languages this equates to input and building a passive vocabulary) eventually and inevitably this passive knowledge will become active when the opportunity presents itself. My encouragement this week is to trust that little voice in your head. Often it will be correct.
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